Veronica Smith pulled up with “Goodness of God”  sounding like she came to bridge generations and leave everybody blessed. 😄 This track is youthful, hip, and got a strong bump  to it — the kind of beat that makes you nod your head without even realizing you’re in praise mode. It’s got that trap/R&B gospel flavor  where you can hear the modern energy right away. But THEN… These seasoned gospel vocals  come sliding in like a veteran bronco buster  taming a young wild horse. 🤠

Philip White comes sliding in real neo-soul smooth … like he just walked into the sanctuary wearing grown-man confidence and a fresh suit that don’t wrinkle 😄 And honestly, I don’t even know what to call this sound anymore—because it’s not just neo-soul… It’s Smoove Neo Gospel. Yeah. That’s what we calling it. Because Phil didn’t just sing on this record… Phil LAID this joint DOWN.  🙌🏾🔥 “Laid It Down” has that laid-back pocket where the groove feels like it’s floating, bu

So the track comes on and instantly  we in Bumptown USA .I’m talkin’ bass knocking, speakers sweating, trunk rattling like it got a prayer request. Then outta nowhere… references to God  start sliding through the beat. Now that  right there is how you do it — slick Christian Hip Hop, modern and Kingdom-forward without sounding corny or forced. This record is so fly that I had to stop and actually listen to the lyrics  just to figure out… who in the world is CJ Stroud ? Becaus

Now this  right here is gospel with a passport. “Wake Up” is an afro-Latin / Caribbean / amapiano-flavored praise experience that somehow lets you worship God and  feel like your toes are in the sand on the Seychelles Islands at the same time. One moment you’re lifting your hands, the next moment you’re checking to see if somebody packed sunscreen for the altar call. What makes it even more amazing is where this sound comes from. Not Jamaica. Not Kenya. Not Nigeria. but Alaba

It feels good —and honestly reassuring—to know that in 2026 , traditional gospel didn’t slow down, didn’t water itself down, and definitely didn’t ask permission to still be church . With “Thank You,”  Tatyana George doesn’t tiptoe into the future—she bursts through the chapel doors  like Sunday morning has been waiting on her . This song comes in already anointed, already lifted, already knowing what it’s there to do. She doesn’t just walk up the center aisle toward the pulp

Quinten Simon may be young, but don’t let the age fool you—this Texas man is carrying an old-school gospel soul  that smells like church fans, hardwood floors, and Sunday morning faith. While many artists his generation lean hard into modern praise & worship vibes, Quinten plants his boots firmly in Southern gospel tradition  and dares you not  to move. “Watch God Work It Out” is the kind of song that doesn’t just play—it shows up . Quinten sings like he’s ready to work anywh

Kevin Styles didn’t just sing  his way through this one—he testified with a groove . “Determined to Win” is an upbeat, traditional gospel track that comes in smiling, clapping, and fully confident it’s about to take over the room. I personally walked into the studio determined  to stay cool. No running. No laps. No spontaneous church behavior.Kevin had other plans. Before I knew it, my feet were moving, my hands were clapping, and yes—there was a holy ghost scoot  involved. �

Philly’s own DJ ODOT  strikes again —and at this point, somebody might want to check his hard drive, because the man clearly doesn’t know how to miss.😄 His latest heatrock, “Amen,”  is another reminder that consistency is a spiritual gift  when used correctly. From the first drop, “Amen” lands right in that sweet spot where hip-hop grit , R&B soul , and gospel conviction  shake hands and say, “We good.”  ODOT has a rare ear for balance—nothing feels forced, nothing feels wat

It’s a new day and a new era in music, and let me tell ya, Sabrina Mills is leading the charge! With her latest track, “Higher Calling,” she delivers a hot, spirit-filled gospel joint crafted for her AI artist, Amara Elyon — and trust me, this track moves . The Power of Music Sabrina has a calling, and it’s unmistakable: writing powerful, anointed music that stirs the soul and lifts the atmosphere. “Higher Calling” blends modern creativity with timeless gospel truth, creatin

We’ve had this southern Louisiana–flavored gem in rotation for a few weeks now, and somehow — with all the great music coming out — I managed to miss giving it the proper review it deserves. But if you don’t know by now, especially with this track creeping up the Mediabase airplay chart, let me make it plain: This song is as churchy as you gon’ get. Tracey Roy brings that down-home, foot-stomping, pew-shaking gospel vibe that makes you want to throw your hands up AND two-step

I’m probably gonna catch holy hell  for even posting this title, but look… it’s Santa! Dammit!  😂 And if we’re being honest, I ain’t never met a preacher who didn’t let at least ONE word slip — some of y’all pastors done dropped bars mid-sermon and kept the mic moving. Now let’s talk about the track: This is a fun, hype, holiday hip-hop joint  with clean vibes, hard beats, and just enough attitude to make you laugh while you nod your head. Soulful Society slid on this one w

2geth3r done went and did it, y’all! They took a worldwide classic — a song everybody and their grandma knows - and turnt it into a full-on southern quartet banger , and I absolutely love  it. The arrangement is clean, warm and soulful, but still carries that gritty, front-porch, down-home quartet energy that makes you wanna sway, clap, stomp, and sing along whether you planned to or not. They honored the original while giving it that modern southern gospel flavor we didn’t

Michael Gi’s “Child of a King”  is the kind of record that makes you look up from whatever you’re doing and say, “Hold up… who is THIS?”  It’s a soul-stirring revival of vintage gospel swagger—rooted in the ’60s soul era , dipped in that Brooklyn Dap-Kings grit , and finished with the unmistakable Money Moses b-boy flavor  that gives it a fresh modern snap. Right from the jump, the horns hit like you’re stepping into an old-school church basement jam session where the Spirit

Fresh off the impact of his breakout single “Church” , DJODOT  is back with another anthem — and this time, he’s stepping “Outside.”  With a hard-hittin’ beat  and an ill, anointed flow , this track doesn’t just ride — it moves in ministry. “Outside”  is more than a catchy hook — it’s a call to action. ODOT paints the picture of stepping into the world, not for fame or flash, but to serve the Lord . It’s bold. It’s melodic. And it’s got that unmistakable grit-meets-grace ener

Let’s be real — there's been a noticeable shortage of upbeat or fresh-sounding Christmas tracks from indie gospel artists  in recent years. But leave it to The Carey Sisters – Heart2Heart  to shake things up just enough to get our attention — and  our respect. Their take on “O Holy Night”  isn’t exactly upbeat in tempo, but the moment that hip hop-inspired beat drops  before the melody even kicks in? We were sold.  It’s a subtle but bold move — layering timeless worship with

Warning at the front door: Tallie Rogers did NOT come to play. She came to testify, tear the roof off the church, and shake your soul into spiritual alignment. “God Don’t Play About Me”  is straight-up Southern gospel fire  — gritty, bold, anointed, and unapologetically rooted in the truth that you are covered, protected, and watched over by a God who handles His business. This track didn’t just land — it exploded  into hot rotation  at IAG Radio. From the first note to the l

There’s something sacred about a song that feels like both a prayer and a praise...and Lady Audri’s “Amen”  walks that line perfectly. With a voice full of warmth, wisdom, and worship , she delivers a track that doesn’t just sound good — it feels right . Set against a smooth, soul-soaked groove , “Amen”  is that kind of song you play on a quiet morning, a late-night drive, or during a moment when your spirit needs a gentle reminder that God is still present — and still worthy

Let’s be clear: “Secret Place”  by B. Chase Williams & The Shabach Choir  isn’t just a song — it’s an experience. It’s that old-school, soul-deep, choir-driven soundtrack to your breakthrough . The kind of track that wraps around your spirit like a warm altar call  and won’t let go. Right from the first chord, “Secret Place”  pulls you in with that familiar gospel foundation — the kind built on organ swells, call-and-response, and voices that have clearly been through somethi

Let’s keep it a buck — here at IAG Radio , we don’t usually swim in the praise and worship  lane. We lean heavy into that groove, that bounce and that soul-soaked traditional gospel. But every now and then, a track slides through that makes us stop, close our eyes and lift our hands. “Thank You” by Marcus Jordan  is that  track. This one is praise and worship , no doubt. But it’s served up with a soulful, urban gospel delivery  that hits different. From the opening notes to t

Yo... the moment "Forever"  by FeelJones  hits your speakers, you already know — this joint ain’t just a vibe, it’s a victory lap . It’s got that groovy urban CCM feel  that makes you nod your head, tap your foot, and lift your hands — all at the same time . The beat? Smooth. The vocals? Sharp. The message? Unshakably eternal. FeelJones brings that seasoned soul and fresh energy  that bridges the gap between the streets and the sanctuary. It's a track for the car ride, the pr